[ Not so long ago, Fitz told Peggy Carter not to concern herself with other universes and timelines. There's no present, no past — it's all there. Our perception is what's restricted. Time is fixed, and nothing you do will change it, much like death. Only it's easy for him to say ignore the rest, when he hasn't met the equivalent of anyone who matters to him. If Trip seemingly came back to life — or Mace or Agnes — bloody Radcliffe — even Ward — it'd be another story entirely. Even another Jemma would change things for him, though he believes she's still out there somewhere in his own timeline (has to, or he'd give up on the rest).
It's hard to say the other worlds are simple noise, in this case. Whoever this person is, they meant a great deal to Dick, that much is clear from how he emphasises the familiarity and differences in play (and they died before they reached the age of this other, a doubly cruel commentary on the divergences between worlds). His hold tightens.]
I'm with you, Dick. [ breathed more than said, the only thing he can think of, then. You don't have to say anymore. I'm with you, and I understand what you're getting at. Of all people, Fitz intimately knows the gap between what you mean and what you can convey. He lifts one hand, hesitant and hovering, before he settles it on the nape of Dick's neck, a tentative skim up to his hair. The move threatens to overwhelm him immediately, as he feels the waves of grief crest through the bond. He closes his eyes, then, willing himself to focus on something further away, a memory he's picked as a cornerstone for moments like this one. When facing the horrors of this world, he recalls standing beside Jemma (holding hands, watching the snow fall) and waiting for preordained losses to unfold.
Maybe some things are inevitable, she'd said. Not just the bad, but the good, too. His calm pushes back through the bond, undeniably weaker than what Dick feels, but a counter to it all the same, steady and balancing. ]
[ audible, but hushed. ] Take your time.
[ For once, Fitz decides he has time to spare, an uncharacteristic pause in his non-stop movements. ]
[I'm with you, Dick- it's breathed out against his hair, and his breath hitches immediately at the response. He'd thought- he'd thought he'd done all the crying he was going to do, but the words make the pressure that's built and held behind his eyes want to release.
It's such a simple thing. To convey that a person isn't alone, that even if one can't fully understand, because it's a situation they've yet to experience- they understand that it hurts, that it isn't easy. Understands it's hard to speak, and will wait things out. It's simple- but it's heartbreaking, in it's own way.
How often had he thought that Bruce would be there, until Dick was old and turning grey himself? How often, when he was younger, did he take near misses and roll them off his shoulder, thinking his team was truly infallible? Until they weren't. How much has he taken for granted the fact that Fitz is here- but he won't always be.
And that's supposed to be a good thing. Dick turns his head finally, to pillow his cheek in the groove of Fitz' shoulder, shudders, when Fitz settles a hand on the nap of his neck and skims it into his hair- soothing. It's minimal, what comes through- but that he's trying at all, that he wants to, in some way do this for Dick- it makes the tears spill over, makes him choke on his breath and the beginnings of a sob, though he's trying to hold them back]
You don't have to.
[Because he knows it hurts- that he's giving nothing back but a raw, open, bleeding wound. One without any signs of stopping, of healing. And the last thing he wants to do is hurt Fitz. Not now, not ever. Wants him to know that the hold, the soft strokes along his back- his presence, that was enough. But he won't pull away. If Fitz wants to help carry that- he thinks it'd hurt more to reject that kind of trust, that kind of care]
[ He can feel Dick give again, easing against him as the weight of the revelation settles over the both of them. Sadness doesn't do it justice, not here in the harrowing liminal space between time and space.
Not long ago, Fitz said that being with all of the displaced has touched his heart — even though he knows their togetherness is a fragile thing.
'Cause time is nothing.
Before awakening here, Fitz had been alone for so long, without any of the comforts he shares with Dick now. Physical touch, understanding. His embrace only firms as Dick implicitly suggest he won't pull away. You don't have to means I'll let you, which is rather brave, if you think about it. It takes strength to allow others to walk the path alongside you, knowing what they'll see along the way. And Fitz can already feel the foreign pain, seeping into his bones. ]
I know. [ that Dick wouldn't push this, that he'd never want to be a burden on others. He's a good man — and a better friend. ] S'okay. [ offered through the choked feeling in his throat, not his own until it is. ] Want to.
[ and that's it. He'll let his head tip, as aligned with Dick as he can be, so that he can share the ache. ]
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no subject
It's hard to say the other worlds are simple noise, in this case. Whoever this person is, they meant a great deal to Dick, that much is clear from how he emphasises the familiarity and differences in play (and they died before they reached the age of this other, a doubly cruel commentary on the divergences between worlds). His hold tightens.]
I'm with you, Dick. [ breathed more than said, the only thing he can think of, then. You don't have to say anymore. I'm with you, and I understand what you're getting at. Of all people, Fitz intimately knows the gap between what you mean and what you can convey. He lifts one hand, hesitant and hovering, before he settles it on the nape of Dick's neck, a tentative skim up to his hair. The move threatens to overwhelm him immediately, as he feels the waves of grief crest through the bond. He closes his eyes, then, willing himself to focus on something further away, a memory he's picked as a cornerstone for moments like this one. When facing the horrors of this world, he recalls standing beside Jemma (holding hands, watching the snow fall) and waiting for preordained losses to unfold.
Maybe some things are inevitable, she'd said. Not just the bad, but the good, too. His calm pushes back through the bond, undeniably weaker than what Dick feels, but a counter to it all the same, steady and balancing. ]
[ audible, but hushed. ] Take your time.
[ For once, Fitz decides he has time to spare, an uncharacteristic pause in his non-stop movements. ]
no subject
It's such a simple thing. To convey that a person isn't alone, that even if one can't fully understand, because it's a situation they've yet to experience- they understand that it hurts, that it isn't easy. Understands it's hard to speak, and will wait things out. It's simple- but it's heartbreaking, in it's own way.
How often had he thought that Bruce would be there, until Dick was old and turning grey himself? How often, when he was younger, did he take near misses and roll them off his shoulder, thinking his team was truly infallible? Until they weren't. How much has he taken for granted the fact that Fitz is here- but he won't always be.
And that's supposed to be a good thing. Dick turns his head finally, to pillow his cheek in the groove of Fitz' shoulder, shudders, when Fitz settles a hand on the nap of his neck and skims it into his hair- soothing. It's minimal, what comes through- but that he's trying at all, that he wants to, in some way do this for Dick- it makes the tears spill over, makes him choke on his breath and the beginnings of a sob, though he's trying to hold them back]
You don't have to.
[Because he knows it hurts- that he's giving nothing back but a raw, open, bleeding wound. One without any signs of stopping, of healing. And the last thing he wants to do is hurt Fitz. Not now, not ever. Wants him to know that the hold, the soft strokes along his back- his presence, that was enough. But he won't pull away. If Fitz wants to help carry that- he thinks it'd hurt more to reject that kind of trust, that kind of care]
no subject
Not long ago, Fitz said that being with all of the displaced has touched his heart — even though he knows their togetherness is a fragile thing.
'Cause time is nothing.
Before awakening here, Fitz had been alone for so long, without any of the comforts he shares with Dick now. Physical touch, understanding. His embrace only firms as Dick implicitly suggest he won't pull away. You don't have to means I'll let you, which is rather brave, if you think about it. It takes strength to allow others to walk the path alongside you, knowing what they'll see along the way. And Fitz can already feel the foreign pain, seeping into his bones. ]
I know. [ that Dick wouldn't push this, that he'd never want to be a burden on others. He's a good man — and a better friend. ] S'okay. [ offered through the choked feeling in his throat, not his own until it is. ] Want to.
[ and that's it. He'll let his head tip, as aligned with Dick as he can be, so that he can share the ache. ]